A panel of French silk chiné, together with seven French printed toiles

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A panel of French silk chiné, together with seven French printed toiles, and another Early 19th century and later The chiné with three partridges between wreathed garlands of flowers entwined with ears of wheat, one selvedge, three edges machine stitched, together with: a variety of 19th and 20th century French printed toiles, to include a valence of Empire-style printed toile de Jouy depicting Pallas and Venus, probably from the Oberkampf manufactory, circa 1810; a Neoclassical panel of toile de Jouy depicting L'Histoire de Psyché, with Dimitrios label, after the original design by Jean-Baptiste Huet for the Oberkampf manufactory, circa 1810; a quilted panel of Le Bal , a figurative toile d'Alsace, roller-printed in rose pink, Mulhouse, France, circa 1845; a part quilt of printed cotton toile, printed in deep red with medallions of winged mythological figures, backed with linen, French, early 19th century, etc. the part quilt: 250cm x 69cm (9) Footnotes: The first, with three partridges, appears to be based on the design of brocaded silk, The Partridges (Les Perdrix), by the workshop of Philippe de Lasalle, woven in Lyon circa 1770 and used by Catherine the Great (see V and A T.187-1931). This chiné version may be later. The Pallas and Venus example is the source inspiration for the 'Aphrodite' Marvic Textiles design.